David Henty has a very strong work ethic. He rises every day at about 5am, has a quick coffee, sets up his easel and palette – sometimes on the roof terrace of his home in Saltdean, near Brighton, sometimes in the kitchen – and then he begins.
'I start by doing lots of special breathing and meditation to open the pineal gland in the back of the brain that lets you look through your third eye,' he explains.
When he's shut out all white noise, he begins channelling. 'I sort of imagine I'm sticking my finger in the light socket of the universe, picking up frequencies and wavelengths until I'm in a sort of 'flow state' of mind and can start downloading the great masters.'
Which is when, finally, he picks up his brush and starts painting. Perhaps a couple of small Lowrys – 'I've painted more Lowrys than he did!' Or a Picasso – 'so quick and easy'.
Or maybe a soothing Modigliani. Or a quick Van Gogh – 'When he's good, he knocks it out of the park. But when he's off, he's not all that.'
But his favourite is Caravaggio.
